Year: 2021
VFX + Color Grading
The Slovak National Design Award ceremony was held entirely online due to the global pandemic. It featured pre-recorded segments with nominated designers and presentation videos for individual design products.
In our studio, we handled post-production including numerous small visual effects, motion graphics, and color grading. A key scenographic element of the celebratory “galastream” was an old television set, into which we inserted videos using visual effects. These clips played during the live stream as each category and nominee was introduced.
The video production was carried out by the studio Filmaari.
Year: 2019
Color Grading
We contributed to the visual post-production of a series of video spots for the charitable non-profit organization League Against Cancer. The videos featured interviews with various public figures as part of the Daffodil Day campaign, discussing the mission and impact of the organization.
Our task was to enhance the desired atmosphere through color grading and achieve a soft, pleasant color tone. The project was carried out in collaboration with the production company Protos Production.
Year: 2019
Color Grading
This educational and entertaining video, created for the Slovak National Museum, humorously and creatively illustrates how not to behave in a museum. Through a simple story with an eccentric main character, viewers learn why touching valuable exhibits is discouraged, to preserve them for future generations.
Our color grading enhanced the character of the piece, with a dominant bright, golden-toned atmosphere that highlights the grandeur, openness, and natural light of the museum spaces. We collaborated on this project with our partner production studio, Filmaari.
Year: 2018-2019
Construction Visualization
We contributed to the visualization of motorway construction plans by embedding them into aerial footage captured over construction sites.
The company Skywalkers conducted regular drone flyovers with mounted cameras above areas where new motorway sections were being built. In our studio, we inserted architectural drawings and visualizations of the future construction into the raw footage.
The goal was to document the progress and development of the construction for the client, the National Motorway Company, using time-lapse sequences – from the original landscape, through tree removal and terrain modifications, to the final built structure.
Year: 2018
Color Grading
In 2018, we worked on the commercial Zázrak (Miracle) for the non-profit organization Dobrý Anjel (Good Angel), designed by the advertising agency Made By Vaculík. Our role was to handle the color grading. Featuring children in the main roles, the spot has a mysterious, fairy-tale atmosphere and was filmed in the Martinus bookstore. We were invited to collaborate by the production company Filmaari.
Year: 2018
Color Grading
In 2018, we collaborated on the post-production of inserts for the Slovak National Film Award Slnko v sieti (Sun in a Net). We were invited by the production company Maja Production to handle the color grading for pre-recorded interviews with notable figures from the film industry, which were displayed on LED panels during the award ceremony.
Year: 2017
Color Grading
We were responsible for the visual post-production of presentation videos created for the Slovak National Design Award 2017. These videos showcased nominated design products across various categories. For selected designs, we produced animations and simple visual effects that helped unify the visual style and enhance the presentation of the nominated works. Through color grading, we emphasized the clarity and artistic quality of the designs. The videos were directed by Slovak filmmaker Daniel Rihák.
Year: 2015
Color Grading
The presentation documentary for the European office EuropeAid was filmed in Africa by Slovak director Mária Martiniaková. The film features numerous interviews in authentic settings, capturing the unique atmosphere of each location. During color grading, we focused on enhancing this atmosphere – emphasizing and enriching the color palette in individual shots to support the director’s visual vision.